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Homework
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1.
Read the next two selections from the coursepack (pp. 22-31):
Romano, “Musts for Writing Teachers” and Perl, “Understanding
Composing.” Perl’s piece was originally intended for writing professors, so
allow time to work through it carefully.
Make notes in your margins:
comments, questions, and definitions (e.g., for key words like
“recursive” in the Perl article).
For each article, write one paragraph that answers this
question: What are the author’s
main points about what writing teachers must know, and what can his/her
ideas teach you about your own writing processes?
2.
Keep moving ahead with the next steps of your Genre Challenge project.
Remember to add another 5-minute entry to your Genre Challenge
reflective journal each time that you work on the project. Looking ahead: We’ll meet in the Teacher Resource Center at the Dordt Library for our class period on Tuesday. Please bring your class supplies as usual.
1.
Finish and print your “Where I’m From” poem.
2.
Review the instructions for the Genre Challenge project.
Then, for a better understanding of this type of project, read
Andrew-Vaughan & Fleischer, “Researching Writing: The Unfamiliar-Genre
Research Project” (coursepack pp. 14-20).
Consider: how does this
kind of project work, and how does it meet writers’ needs?
3. You are in the “worrying” stage of working on your genre challenge project. Start your reflective journal with a 5-minute entry. Check step 1 in the project instructions for guidance. (Feel free, too, to look at my reflective journal on our Courses@Dordt site.
Looking ahead: We’ll take some
time at class on Thursday to consider genre possibilities for the project.
You’ll need to send your project proposal email to me by noon on
Friday, September 3. (See step 2
in the project instructions.) Assigned August 26 1. Read the first two coursepack selections (pp. 1-13) to prepare for in-class discussion about how the writing workshop concept will fit with our course and with your future teaching: (1) Atwell, “Getting Started” and (2) Taylor, “Nancie Atwell’s In the Middle and the Ongoing Transformation of the Writing Workshop.” Look for connections and contradictions across the readings, and also consider how these texts relate to your own experiences. As always, read actively. In the margins, note the ideas that you find especially interesting, insightful, debatable, or questionable—as well as notes about the connections and questions that come to mind as you read.
2.
Bring the draft of your “Where I’m From” poem to class, and be prepared to
share. Feel free to look back at
George Ella Lyon’s “Where I’m From”
poem, at
templates,
and at models that you find online.
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Leah Zuidema
under a
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
Created January
3, 2006
Updated
August 26, 2010